Wednesday, January 8, 2014
Two of the acts I knew by reputation, for both Charlie Clark and Meredith Meyer have substantial followings. Jill Avilez is a talent I had witnessed first hand when she dazzled me with one of her bands, The Love Absurd (she plays in five) last year when they played at my show in June.
Accompanying herself on guitar, she has a gorgeously strong and expressive voice which she handles like a complex instrument. Joking about how some have told her to temper her broken relationship songs with some lighter fare between the romantic rants, she had a nicely modulated sets with some positively uptempo numbers here and there.
Because she had struck up a conversation before her set with Runson Willis, the multi-faceted musician I met last year when he played my show in Dec. '12, she invited him onstage to join her with his harmonica for a couple of songs. Uncanny how well he fit into her songs, it was truly inspirational to see two accomplished artists make an instant musical connection that sounded like they have been playing together all along.
Personal stories were turning out to be a theme of the evening and the cool, calm, almost stately demeanor of Ms. Meyer offered a wonderful contrast to the previous performer's emotion. She has a steady and confident presence and, though petite in stature, she filled Lot 1 with the soft, melodious sound of her reflective and specific songs. The lyrics sound autobiographical in their attention to detail and the exactness of the references to real life. She even has written a song called "Storyteller Girl". That's an apt description.
He told a familiar story I could relate to about growing up in a picturesque and idyllic pastoral location, but filled with people he couldn't wait to get away from. Afterward, he and I talked about how I empathized with the childhood spent in a kind of environmental paradise (in my case a seacoast town near Cape Cod) and the ever-gnawing need to get the fuck away. I mean, there was no where to go but OUT. So his song reflect a kind of restless desire for growth and new experiences, cogently told. I look forward to hearing him play with his full band.
It was a swinging and seductive set that the audience just ate up. Teena May came back in and became an enthusiastic supporter on the spot. Admitting to me later that she had been nervous about playing solo, Jill must have found the overwhelming appreciation of the people who had stayed enough to assuage that fear. It was a hair raising ending to the night. I'm looking forward to booking her four other bands this year.
Of all the Feed Your Head shows I've done (and that's now over 30) this was one of my favorites. A big thanks to Rebecca Balin for the line up and huge gratitude to the wonderful performers who gave so much for us to enjoy. And thanks to Eileen and Jason for their hospitality, as always. And Sean Guerin for sound duties, always the best.
Posted by Brad at 10:14 PM
Monday, January 6, 2014
I've apparently made an unconscious New Year's resolution to dive in head first and get out to more shows this year. Apropos to this revelation I went out last Friday night to see the fabulous FOMO Festival 2014 taking place at The Echo and Echoplex. 'FOMO' stands for Fear Of Missing Out, and this also fit in with my desire to catch up with the numerous recently sprouted bands that have cropped up over the past couple of years that I have been missing out on.
One of the main attractions was Avid Dancer, who I HAVE seen a few times already, but as they are making incredible strides with each performance, it's worthwhile to check in with them every few weeks.
Knowing that there was no way to enjoy all the bands performing that evening, I opted to focus on particular sets. Next up was Lo-Fang, downstairs in the Echoplex. But before they took the stage there was a spoken word artist named John Tottenham, who recited some wonderful and bizarre pieces that hovered close to the edge of tasteless, but were so truthful and highly humorous that it was just kind of wonderful.
I've known Jacob for a while now and had enjoyed his former band, The Rhone Occupation, but here he leaps to a whole other level. And each time I see them there is marked improvement, even though each time I was convinced they were at the top of their game. Where they go from here is anyone's guess.
Final band, Fever The Ghost, came on around midnight and sounded like a shot of adrenaline, but I had to get home to have energy for my Feed Your Head show the next night, so I couldn't stay. But they have a date at Bootleg Bar next Thursday, January 16th, on a bill with Nightmare and the Cat, Carina Round and The Peach Kings, so there's hope. That sounds like a great show.
Part 2 coming soon...
Posted by Brad at 7:57 PM